在南京最繁華的地帶，654 平米兩層通高的商業空間。業主找到我們，希望設計一處以《陋室銘》為主題，古風與機械交織的中庭觀光空間。?
要實現田園山水的空間場景畫卷效果，同時業主提出希望加入機械人偶裝置，在傳統的空間里體現機械科技的現代對撞。于是設計的策略指向了微縮尺度的小小世界。 移日月星辰，山林幽谷，田園江河，于一方寸之間，是曰壺中有洞天。 如何以微縮的場景，保留傳統的山水意境，又能將游人和機械人偶裝置容納進來，游客的體驗參觀流線與人偶的動態展示場景不相沖突。這是相當罕有的一次設計嘗試。 ??
空間上將600平的Openlab中庭空間，設計劃分為陋室、田園、荷塘、山林、幽谷、江河，六大山水田園背景的宏觀微縮場景。不同空間里則有機械動態人偶演繹不同的歷史典故。人偶大小經過再三設計考慮，希望能以三分之一真人比例的微縮尺度，更加融入這個微觀世界場景。
In the bustling heart of Nanjing, a 654 sqm double-height commercial space. The client approached us to design an atrium sightseeing space themed around the "Ode to a Humble Abode（《陋室銘》）," blending ancient Chinese style with mechanical elements.?
The goal is to create a pastoral landscape scene. The client also requested the inclusion of robotic puppets, a modern collision of mechanical technology within a traditional space. Thus, the design strategy pointed toward a miniature world. By condensing the sun, moon, stars, mountains, forests, valleys, farmlands, and rivers into a compact realm, it creates a sense of "a hidden paradise within a teapot." The challenge lies in how to retain the traditional landscape aesthetics in a miniature scene while accommodating visitors and robotic puppets, ensuring their paths never cross awkwardly. This is an exceptionally rare design experiment.?
